6.30.2011

What Kitchen Confidential taught me about positive relationships

In order to forget the long flight to Alaska I was traveling on, I attempted to busy myself reading Anthony Bourdain's Kitchen Confidential. In the course of my reading, I realized a few things about my view of relationships and the value inherent.  The meaning of human contingency.  The significance of my relationship to me.  Bourdain spends a lot of time talking about the bond between chef and sous-chef: the descriptions, anecdotes, and interactions between the two allies.  I almost immediately felt like I understand what the acclaimed chef was talking about. Throwing aside the established rules of engagement between boy and girl, I can irrefutably say that "life" is a whole hell of a lot more like a kitchen than a movie.  With this in mind, to me,  "boy and girl" is not a boring stroll through the park into the sunset but rather an unbridled, raw war against the outside world, one where chef and sous-chef must combine forces to use fire, oil, and cunning wit to wage havoc on the forces teeming outside the kitchen.

To me, real relationships that actually work aren't coddled with verbal cuddling and audible canoodling, but rather develop a working jargon of their own - where the two involved formulate short-cuts and quick talk to express thoughts. Where a look, nod, or punitively raunchy hand gesture can speak a paragraph of mental thoughts.  The language develops intensity and closeness as polite etiquette is blown to pieces in exchange for actual significance.  Comfortableness which proffers a litany of brusque, socially offensive, sometimes sexually aggressive references. Because there's nothing like knowing someone and being at ease enough to know that your shoptalk can't and won't offend, as the receiver "gets" you enough to understand without explanation. 

And this is how Bourdain describes his chef and sous-chef relationship. A mesmerizing unity of offenses that can't offend. Because, to me, "boy and girl" is about holding up the station, playing the game the world  will inevitably throw at you - together - without getting bent out of shape. War is tough.  Life is tough.  And if you find someone who perks your intrest and speaks your lingo, it's how sensitive you are to criticism and perceived insult - combined with how well you give it back - that determines the strength of your connection, not what society outlines the "right" or "correct" thing to say is.  It's not how well you act or speak the part but rather how successful you are at back talking society and culture together.  Where you both get it, and society is always aloof - where life is always the butt of an inside joke. 

6.10.2011

http://dictionary.reference.com/browse/epoch

I wonder at what age people would "mature" into "adulthood" if there were no societal structure or cultural restrictions for age. If you live in the Unites States, please consider the following:

The age modern medicine considers you an adult: 13

The age the DMV and cancer considers you an adult: 16

The age the entertainment industry considers you an adult: 17

The age politics, the military, the lotto, tattooers/piecers, sexual partners, tobacco sellers, and the inventors of "parental consent" contractual lines consider you an adult: 18

The age bars and alcohol providers consider you an adult: 21

The age insurance providers consider you an adult: 25

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With all these varying ages, maturation seems less about growth and more about check listing.  I don't know when I am "supposed" to mature or when I will "feel" mature and I really don't care. "Maturing" is a ridiculous convention - filled with holes and false intricacies - and labeling it with time is counter productive.  There is no such thing as maturation or "becoming an adult" - I bought a car, applied for work internships, moved into an apartment, entered relationships, etc.. when I wanted and because I wanted.  And I know I did these things for reasons that I (not culture) controls because I do plenty of things that culture does not condone - things that are still childish, things that are for the elderly, things not of our current decade, etc.. 

I trust my instincts. Trust my decisions. Trust that I, not society, will dictate my personality and choice. I don't ever see "maturing" in my lifetime. I feel pretty secure that I will always be this person that I am now - just maybe in a bigger house someday or a better car or with a family or with a high paying job, etc.. Those 'markers' of maturing - which, for me, aren't markers so much as choices I plan to make for myself. So, fuck you very much culture, I do what I want. 

6.07.2011

My Virgin Ears

Its no revelatory proclamation to state that music has changed over the past decade.  Bums on the side of the street can tell. Fetuses can see the differences. Oak tree root systems know. So, this isn't some diatribe on the changing scene of music and how it affects our life, liberty, and pursuit of happiness. This is a remembrance piece on my firsts in audible entity.

My first cassette tape: This is hard to remember exactly. However, I do distinctly remember my first cassette tape player.  A birthday present from my Uncle Bill, I remember unwrapping the large present and staring wide eyed at a box with a photo of a bright yellow radio cassette player.  Picking my chin off the floor, I demanded to know if the box was for holding the contents depicted on the side or merely a place holder box for something less enthralling. It was the former.

As such is the case with memory, things are often forgotten, I don't remember if this was my first cassette tape, but I do know the one I remember most distinctly was a Nickelodeon Pete & Pete tape. It was bright orange (like all things Nickelodeon) and had the theme song in various remixes.  Closely following this archaic music memory, is that of my Ace Of Base tape. We threw down to some All That She Wants on the grade school recess court.

My first CD: This I remember well. My Dad purchased a bright red Corvette to commemorate my birth (or so goes the age-old justification for his sport's car bliss).  Car buying must have been different in the 80s, as years later we were mailed an anniversary present of a beach themed CD.  In the bygone eras of consumer contention, Chevrolet sought to maintain our pleasantries with bribes of goodies and trinkets - thus the birth of my first CD.  In hindsight, I am sure this was a sampler CD of various beachy tunes, but to my young ears - every song on the disc was by The Beach Boys.

Looking back on it now, I wouldn't be surprised to learn that nothing included was actually wailed by a tanned Brian Wilson - but to me, the water and sand scene on the cover meant that this was my quintessential Beach Boys CD as awarded to me by being an elite Corvette owner.  Never mind that the shiny red car that I was frightened into believing would replace me as the golden child should I scratch it, would one day be covered in mold and soot in the back of a tractor shed - this brand new, shiny CD with no side flipping or tape reel to carefully maintain meant that I was in. I was cool. Different. New. Better. I remember taking my CD to school and showing how the back was like a mirror. I pointed out how thin it was and made everyone look at the Corvette symbol next to the beach landscape. My first CD marked a turning point in my view of what was possible. It wasn't just a CD to me, this was a simulacrum of change. This was the first time I was conscious of progress.  My personal evidence that life evolves and shifts to provide with newer, better, more efficient systems - all encapsulated in tangible Beach Boy hi-fi.

My first burned CD of stolen music: In every young person's life they have one person that opens their minds to the awesomeness of music.  For me, that person not only awakened me to musicality but also to criminality - as my Uncle Bill was the source for my very first CD of stolen digital music.  I remember Napster as the syringe and shitty 2000s music as the heroin.  My CD, which my Uncle named April's Fav's From Five Minutes Ago and printed on a sticker cover of rainbow pink swirls, included songs like Britney Spear's Lucky, Backstreet Boy's Bye Bye Bye, and nearly everything Slim Shady.  This wasn't just a CD it was a CD-R, which meant that I could alter and rearrange the playlist before it hit the polycarbonate - and that was amazing. The burner was a 1x and it took eighty minutes to burn what would become a lifetime of crappy music.

My first digital music player: Unlike CDs and tapes, which are normally acquired singularly, digital music is mostly "gotten" in swarms - and I can't begin to remember my first personal download or my leading iTunes acquisition. But what I do remember is my first iPod purchase. During my first solo vacation to Pittsburgh, my Aunt took me to Circuit City, where clad with my spending cash from Dad, I purchased my first iPod Mini. It was bright pink and utterly amazing. As a dumb teeny-bopper, I almost instantly felt cooler and more important (and thus the marketing genius of Apple emerges) because I had something expensive and shiny, something that needed taken care of and safeguarded.

In retrospect it was a terrible electronic. The screen was awful - it didn't backlight any better than a calculator and almost needed a daily reboot to remain working properly. It was a god-awful metallic pink color with ungainly thickness for such a basic electronic, and it weighed (not a lot) but more than necessary compared to what cellphones and music players are capable of today. I kept it for a while before moving onto many more replacements, Nanos, Shuffles, Zunes, full size iPods... - eventually passing this sad player onto one of my friends for gym use.

Now I have music files stashed on hard drives, thumb drives, iPhones, iTunes, Windows Media Player, and soon iCloud, Google Music Beta and Amazon mp3.  I get free music sent to me via e-mail from Spin and Paste. My car has satellite radio, its own hard drive, an iPhone/iPod hook up, and HD radio channels - whatever the fuck that is.. and the trend of music progress continues to truck on.

Although music has changed a lot, I haven't. I get just as excited over getting a new free sampler mix as I did over my first batch of stolen music.  And when I got my invite to Google Music Beta, I was just as intrigued as when I got that yellow boombox.

6.06.2011

iRAGE! Google Rage? Just regular RAGE!

I made this today and thought I'd share my screenshot of such humorously raging glory.

As you can see, it is too awesome to be relegated to an sort of "rating" scale. 

6.04.2011

RAGE!!!!!LOL..

Boyfriend and I have recently gotten really into Rage Comics . We read them, make them, share them, and love them. We tuck them in at night and make them breakfast in bed.

OK - maybe not all that latter stuff. But we do really enjoy their wry and awkward humor. And so the other day we were discussing what we thought the "voice" of the writer was (before we learned they are submitted by anonymous public contribution) - Boyfriend thought they were written by a girl and I thought they were written by a pre-adolescent boy, possibly asthmatic and definitely a virgin lifer. Oblivious that he might also be wondering who the writer was, I was surprised his mental image was so different then mine.

So it got me thinking how individualized mental images are when you are left with minimal information and a vast imagination. To me, my mental images are fact, and everyone else is wrong. Because I have conjured them up so explicitly, they feel real even though nothing about my psychological picture is based on anything tangible. I guess this explains why books-made-into-films can fail so horribly. More than ever, people create elaborate cerebral characters while reading a novel and disappointment abounds when the director misjudges the scenes.

It makes me wonder where these images come from that we slop together to form a generalization about some unidentified entity - our pasts? television? advertising? the present world? It has to be something we have seen or see presently. Doesn't it have to be impossible to create something from nothing? If physical matter can neither be created nor destroyed, does the same apply to mental matter? To thoughts? Can one have a truly original thought not created out of another thought? Or does the thoughts leading up to a thought not dismiss the end result's ingenuity?

We think that our mental images are personal, original, and "ours" but are they really all that novel? Are we as different as we think we are? Is this a bad thing or is this what makes us as 'people' united and able to work together?

I don't know - but I do know that I love Rage Comics.